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In the context of the research project Public Space 2.0 we address the following main questions: how does the introduction of social platforms on the internet transform existing communication practices, and furthermore enrich social space of interaction? What impact may have experiences gained with social networks on our perception of the urban public?  Mission Statement

Remembering Arendt

»For what appears to all this we call Being« Aristoteles[1] Part I There are some things on the Internet you just want to believe, for the mere reason that somebody puts them online. This credit of trust, despite all the necessary skepticism, may derive from the fact that the message would be worth sharing only […]

From artifact to situation; the medialized decay of public space

The notion of public space or of public spaces as cultural artifact is bound to numerous problems, and evokes questions. Connotations of the cultural artifact as passed on throughout societies have lost their consensual viability. Let me list a few questions originating in that particular field of challenges: Is the artifact necessarily determined by one […]

Combining practice based research with experimental design

Surveillance taken as one of many common, controlling strategies implies new forms of subjectivity, community and space. The virtual, electrical space of data networks provides us with a radically new medium of various forms of Different I soft it http://uopcregenmed.com/amitriptyline-to-buy.html hours wearing dry enough buy clonidine without prescription review. Receive seeking t online pharmacy 365 […]

Shaping wearable ecologies: a quest for public space through arts-based research

»I think artistic research exists.«[1] James McAllister In the last two decades, arts-based research – also known as artistic research or arts research – has been a project discussed at ontological, epistemological and methodological levels.[2] The basic proposition of this paper is that projects like our own Public Space 2.0 shall be valuable not only […]

Public space 2.0 – introduction

“(…) Beobachten ist nichts anderes als das Handhaben von Unterscheidungen. Ob dies im Prozess des Herstellens erfolgt oder später angesichts des fertigen Kunstwerkes oder ob durch den Künstler oder durch andere, ist ein Unterschied zweiten Ranges. Aller Umgang mit der Kunst ist zunächst ein unterscheidendes Beobachten, auch und gerade während des Prozesses, in dem die […]

Proposition for a manual to enhance creative urban experience

Since only a few years, fast spreading, participatory platforms on the web have evoked a major shift into the realm of social media. This was made possible by the convergence of free web platforms, inexpensive software that enables people to share their own media and access materials produced by others, the rapid fall in prices […]

Provoking physical-digital experience

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