We aimed for extensive research towards the improvement of the chosen location “Karlsplatz”, accompanied by empirical studies as well as prototypical development in the fields of interface design, network technology and outdoor display modes. Through innovative implementation and use of communication technology we envision the revitalization of the public sphere. Creative re-zoning of physical space into free network access and network-free spheres re-introduces the aspect of “choice” into urban life: the user may “choose again” between designated zones and distinct program.



 
 
 
 
4D pixel

Reference project by Studio Roosegaarde exemplifies direct relation between human activity (voice) and appearance of surface as well as its haptic effects.
« Image: How surfaces may start to reflect means of interaction in public space


 
 
 
Cell Phone Disco

Reference project by Informationlab: Auke Touwslager visualizes electro-magnetic field of active mobile phone making a property usually hidden from our senses perceptible. A commodity which is available for everyone today, the cell phone, becomes an input device.
« Image: How user activity influences physical appearance of a public surface temporarily without proposing content

We anticipated that wearable electronics will be developed further in order to actuate public display modes on various given surfaces in the city such as pavements, shop windows, commercial media screens. (Non-visual examples can be added

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here. User should be able to modulate space by tuning

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audio, tactile and olfactory stimulus as well.) Innovative structural frameworks finally provide resources to meet various corresponding needs ranging from energy supplies to specific hardware components. We believe that supporting the increased use of interactive media in public space the user will eventually start to identify himself/ herself with the actual urban context of interaction to a higher degree. Offering options to freely display and to share visual information along the daily routines while crossing the city will create

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“soft, translational space” in which people briefly meet, exchange and even discuss in the open space. In the near future inhabitants of European cities seek to be able to reconfigure specific values of any space at any time. Therefore the status of public space will eventually be enhanced once individually produced, atmospheric space can be temporarily shared with others in public, initiating further overlay of interest and social exchange. Counterbalancing commercially driven media surfaces, the user would be able to expose his/her individual choice of imagery and hence contribute to a heterogeneous appearance of the city.


The Adaptable Bus Stop

Reference

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project by SENSEable City Lab: “Riders and passers-by can post ads and community announcements to a moderated bulletin board placed on the bus stop, enhancing the functionality of the bus shelter as a public place. Ad information can be uploaded by drawing with the fingers on the touch-sensitive surface or by sending a video, image, or text message from a mobile device. The bus stops

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then become a place to gather and exchange community relevant information.”
« Image: How the user is able to expose his/her individual “choice” of imagery and content


 
 
Solar Display

Reference project by Christa Sommerer, Laurent Mignonneau, Michael Shamiyeh,a modular, self-powered, environmentally friendly, and non-intrusive display possibility for media content on large facades. Users are in command of what will

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be displayed on a large scale screen (which functions in full daylight) via their cell phones or through the internet.
« Image: How the user is able to expose his/her individual “choice” of imagery and content


Tactical Soundgarden

Reference project by Mark Shepard, a network of nodes in public space allow for exchange and interchanging modes of sound composition: “The Toolkit enables anyone living within dense 802.11 wireless ‘hot zones’ to install a ‘sound garden’ for public use. Using a WiFi enabled mobile device (PDA, laptop, mobile phone), participants ‘plant’ sounds within a positional audio environment. These plantings are mapped onto the coordinates of a physical location by a 3D audio engine common to gaming environments – overlaying a publicly constructed soundscape onto a specific urban space. Wearing headphones connected to a WiFi enabled device, participants drift though virtual sound gardens as they move throughout the city.”
Image: how the user is enabled to influence the atmospheric space by tuning audio, tactile and olfactory stimulus

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